617 Free Artworks of 1798 Etchings

satirical prints in the british museum paper british museum james gillray prints by james gillray in the british museum yale center for british art romanticism,rococo etching and aquatint francisco goya aquatint prints in the yale center for british art

Female Opinions on Military Tactics, Isaac Cruikshank, 1798

prints by isaac cruikshank in the british museum satirical prints in the british museum

United Irishmen in Training, James Gillray, 1798

aquatint prints in the yale center for british art james gillray

United Irishmen Upon Duty, James Gillray, 1798

aquatint prints in the yale center for british art james gillray

Shrine at St. Ann's Hill, James Gillray, 1798

aquatint prints in the yale center for british art james gillray

Heinrich Keller Gegend Beÿ Richtenschweil wo das Gefecht vorfiel, A. 1798, Heinrich Keller

heinrich keller richterswil

Rise and Fall, Francisco Goya, between 1797 and 1798

capricho № 56: subir y bajar romanticism,rococo

Improvement in Weights and Measures. - or - "Sir John Seeclear Discovering e/y Ballance of e/y Flag" (from: Caricature, vol. 1), James Gillray, 1798

etchings in the yale center for british art james gillray

Bonne Farte Raising a Southerly Wind, or a Sketch of the Inteded Invasion Found at the Door of Brooks's in St. James's Street (from: Caricature, vol. 3), Isaac Cruikshank, 1798

etchings in the yale center for british art isaac cruikshank

John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1), James Gillray, 1798

etchings in the yale center for british art james gillray

The sleep of reason produces monsters, Francisco Goya, between 1797 and 1798

capricho № 43: el sueño de la razón produce monstruos romanticism,rococo

Örebroporträttet, Hilaire Ledru, 1810 or earlier

pierre-michel alix hilaire ledru

Louis-Jules Mancini-Mazarini (1716-1798) Duke of Nivernois, Augustin de Saint-Aubin, 1796 18th century

augustin de saint-aubin 1796 works in france

Fraternization in Grand Cairo or the Mad General and his Bonny-Party likely to become Tame Musselmen, Thomas Rowlandson, 1798

etchings in the yale center for british art romanticism

Reclining woman with boy and girl in a landscape, Christian Schule, 1798

prints by christian schule in the statens museum for kunst engraving

A new prop for a rickety stool, Isaac Cruikshank, 1798

prints by isaac cruikshank in the british museum satirical prints in the british museum

Børge Riisbrigh, Johan Frederik Clemens, 1798

prints by johan frederik clemens in the statens museum for kunst engraving

Børge Riisbrigh, Johan Frederik Clemens, 1798

prints by johan frederik clemens in the statens museum for kunst engraving

Sleep Overcomes Them, Francisco Goya, between 1797 and 1798

sleeping people in art romanticism,rococo

They Say Yes and Give Their Hand to the First Comer, Francisco Goya, between 1797 and 1798

capricho № 2: el sí pronuncian y la mano alargan al primero que llega romanticism,rococo

An English Buck. L'Anglomane, Carle Vernet, 1798

satirical prints in the british museum works after carle vernet

The Sleep of Reason Produces Monsters, Francisco Goya, circa 1796-1798

capricho № 43: el sueño de la razón produce monstruos romanticism,rococo

Ya van desplumados (There They Go Plucked), 1797/1798

romanticism,rococo los caprichos, nga

Portret van botanicus Bonaventura Corti, RP-P-1909-5259, Prospero Minghetti, between 1798 and 1858

portrait prints in the rijksmuseum amsterdam bonaventura corti

The Constitution - Gentlemen, George Murgatroyd Woodward, circa 1798

aquatint prints in the yale center for british art george moutard woodward

The King, George Murgatroyd Woodward, circa 1798

aquatint prints in the yale center for british art george moutard woodward

Military accidents!, Isaac Cruikshank, 1798

prints by isaac cruikshank in the british museum satirical prints in the british museum

Where is Mother Going?, Francisco Goya, between 1797 and 1798

romanticism,rococo engravings of cats

For Heaven's Sake: And It Was Her Mother, Francisco Goya, between 1797 and 1798

los caprichos (brooklyn museum set)romanticism,rococo

Lullaby!-sooth him with a lullaby!, James Gillray, 1798

prints by james gillray in the british museum satirical prints in the british museum

United Irishmen upon Duty, James Gillray, 1798

prints by james gillray in the british museum satirical prints in the british museum

Lullaby!-sooth him with a lullaby!, James Gillray, 1798

prints by james gillray in the british museum satirical prints in the british museum

Even Thus He Cannot Make Her Out, Francisco Goya, between 1797 and 1798

capricho № 7: ni así la distingue romanticism,rococo

A scene in the enchanted island, Isaac Cruikshank, 1798

prints by isaac cruikshank in the british museum satirical prints in the british museum

Titelvignet til et søkort, Johan Frederik Clemens, 1798

prints by johan frederik clemens in the statens museum for kunst engraving

L'écot (The reckoning), Louis Charles Ruotte, 1798

satirical prints in the british museum louis-charles ruotte

The Effects of British Valour on the French Directory, Thomas Rowlandson, 1 November 1798

ackermann's gallery romanticism

Portrait of Michael Gottlieb Birckner, Gerhard Ludvig Lahde, 1798

prints by gerhard ludvig lahde in the statens museum for kunst line drawing

Voluntary subscriptions., Isaac Cruikshank, 1798

prints by isaac cruikshank in the british museum satirical prints in the british museum

Le Tresorier, James Gillray, 1798

prints by james gillray in the british museum satirical prints in the british museum

They've Already Got a Seat, Francisco Goya, between 1797 and 1798

los caprichos (brooklyn museum set)romanticism,rococo

What a taylor can do!, Francisco Goya, between 1797 and 1798

capricho № 52: ¡lo que puede un sastre!romanticism,rococo

Two Pair of Portraits, James Gillray, 1798

prints by james gillray in the british museum satirical prints in the british museum

Consequences of a successful French invasion. - No. III - plate 2d., James Gillray, 1798

prints by james gillray in the british museum satirical prints in the british museum

Consequences of a successful French invasion. - No. III - plate 2d., James Gillray, 1798

prints by james gillray in the british museum satirical prints in the british museum

Consequences of a successful French invasion, James Gillray, 1798

prints by james gillray in the british museum satirical prints in the british museum

Consequences of a successful French invasion, James Gillray, 1798

prints by james gillray in the british museum satirical prints in the british museum

Consequences of a successful French invasion. - No. III - plate 2d., James Gillray, 1798

prints by james gillray in the british museum satirical prints in the british museum

Ladies Wigs!, Isaac Cruikshank, 1798

prints by isaac cruikshank in the british museum satirical prints in the british museum

Consequences of a successful French invasion. - No. VI - plate 2d., James Gillray, 1798

prints by james gillray in the british museum satirical prints in the british museum

Comforts of Bath, Plate 3, Samuel William Fores, 6 January 1798

the elisha whittelsey collection samuel william fores

Portrait of an Irish Chief; Drawn from Life at Wexford, James Gillray, 1798

aquatint prints in the yale center for british art james gillray

Can't Anyone Untie Us?, Francisco Goya, between 1797 and 1798

los caprichos (brooklyn museum set)romanticism,rococo

Comte de Buffon, Augustin de Saint-Aubin, 1798

prints in the national gallery of art (washington, d.c.)augustin de saint-aubin

The sleep of reason produces monsters, Francisco Goya, between 1797 and 1798

capricho № 43: el sueño de la razón produce monstruos romanticism,rococo

Two Pair of Portraits, James Gillray, 1798

prints by james gillray in the british museum satirical prints in the british museum

Consequences of a successful French invasion. - No. I - plate 2d., James Gillray, 1798

prints by james gillray in the british museum satirical prints in the british museum

Consequences of a successful French invasion. - No. I - plate 2d., James Gillray, 1798

prints by james gillray in the british museum satirical prints in the british museum

A family secret, or Mr. Noodle taken in, Isaac Cruikshank, 1798

prints by isaac cruikshank in the british museum satirical prints in the british museum

The Sleep of Reason Produces Monsters, Francisco Goya, circa 1796-1798

capricho № 43: el sueño de la razón produce monstruos romanticism,rococo

Consequences of a successfull French invasion. No. VI. Plate 1st. -, James Gillray, 1798

prints by james gillray in the british museum satirical prints in the british museum

Stealing Off; - or - Prudent Seces(s)ion. "Courageous Chief The First in Flight", James Gillray, 1798

aquatint prints in the yale center for british art james gillray

Titelpagina voor 'Anthologiae Graecae', 1798, RP-P-OB-65.993, Reinier Vinkeles

prints by reinier vinkeles in the rijksmuseum amsterdam title pages in the rijksmuseum amsterdam

Grazende os, RP-P-BI-6209, Jurriaan Cootwijck, between 1724 and 1798

18th-century drawings in the rijksmuseum amsterdam drawings by pieter van bloemen

Illuminatie van het Stadhuis op de Dam, 1798 Het Huis der Gemeente te Amsterdam, Verlicht den 19 May en 19 Juny, 1798 (titel op object), RP-P-1904-3900, between 1798 and 1799

dutch baroque architecture batavian republic

The Storm rising;-or-The Republican Flotilla in danger., James Gillray, 1798

prints by james gillray in the british museum satirical prints in the british museum

The raft in danger, or the Republican crew disappointed, Johann Martin Will, 1798

satirical prints in the british museum johann martin will

The raft in danger, or the Republican crew disappointed, Johann Martin Will, 1798

satirical prints in the british museum johann martin will

Boslandschap met man en hond bij een brug, RP-P-BI-351, Ernst Willem Jan Bagelaar, between 1798 and 1837

prints by ernst willem jan bagelaar in the rijksmuseum amsterdam etchings of bridges

The members of the Council of Five Hundred., James Gillray, 1798

prints by james gillray in the british museum satirical prints in the british museum

Boslandschap met man en hond bij een brug, RP-P-BI-350, Ernst Willem Jan Bagelaar, between 1798 and 1837

prints by ernst willem jan bagelaar in the rijksmuseum amsterdam etchings of bridges

Staande boer met hand en arm in zijn mante Bedelaar, RP-P-1885-A-9691, Adriaen van Ostade, between 1724 and 1798

prints after adriaen van ostade in the rijksmuseum amsterdam etchings of peasants

Herder met koe in het bos, RP-P-BI-341, Ernst Willem Jan Bagelaar, between 1798 and 1837

prints by ernst willem jan bagelaar in the rijksmuseum amsterdam etchings of shepherds

Out hunting for teeth!, Francisco Goya, between 1797 and 1798

capricho № 12: a caza de dientes romanticism,rococo

Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1), James Gillray, 1798

aquatint prints in the yale center for british art james gillray

May the Eye of Science pierce Through the Mists of Obsurity, George Murgatroyd Woodward, circa 1798

aquatint prints in the yale center for british art george moutard woodward

Boslandschap met hert, RP-P-BI-354, Ernst Willem Jan Bagelaar, between 1798 and 1837

prints by ernst willem jan bagelaar in the rijksmuseum amsterdam etchings of deer

Landschap met drie herten, RP-P-BI-297, Ernst Willem Jan Bagelaar, between 1798 and 1837

prints by ernst willem jan bagelaar in the rijksmuseum amsterdam etchings of landscapes

Landschap met twee koeien bij een wilg, RP-P-BI-321, Ernst Willem Jan Bagelaar, between 1798 and 1837

prints by ernst willem jan bagelaar in the rijksmuseum amsterdam etchings of landscapes

Landschap met boerderij en wandelaar, RP-P-OB-26.427, Ernst Willem Jan Bagelaar, between 1798 and 1837

prints by ernst willem jan bagelaar in the rijksmuseum amsterdam etchings of landscapes

Herder met koe in het bos, RP-P-BI-340, Ernst Willem Jan Bagelaar, between 1798 and 1837

prints by ernst willem jan bagelaar in the rijksmuseum amsterdam etchings of shepherds

Boslandschap met hert, RP-P-BI-355, Ernst Willem Jan Bagelaar, between 1798 and 1837

prints by ernst willem jan bagelaar in the rijksmuseum amsterdam etchings of deer

Title page with vignette for the collection of portraits of deserving Danish men, Gerhard Ludvig Lahde, 1798

prints by gerhard ludvig lahde in the statens museum for kunst line drawing

Interieur met treurende familie, RP-P-OB-64.818, Reinier Vinkeles, between 1798 and 1811

prints by reinier vinkeles in the rijksmuseum amsterdam reinier vinkeles

Vrouw met soldaten voor een vesting, RP-P-OB-64.819, Reinier Vinkeles, between 1798 and 1811

prints by reinier vinkeles in the rijksmuseum amsterdam reinier vinkeles

Genuine orthography or candidates for public favour, Isaac Cruikshank, 1798

prints by isaac cruikshank in the british museum satirical prints in the british museum

Jachtscènes, RP-P-OB-24.713, Cornelis Ploos van Amstel, between 1736 and 1798

horse riding in etchings etchings of carriages

Comforts of Bath, Plate 3, Thomas Rowlandson, 6 January 1798

the elisha whittelsey collection romanticism

Comforts of Bath, Plate 10, Thomas Rowlandson, 6 January 1798

the elisha whittelsey collection romanticism

Comforts of Bath, Plate 8, Thomas Rowlandson, 6 January 1798

the elisha whittelsey collection romanticism

Durham mustard too powerful for Italian capers, or the opera in an uproar, Isaac Cruikshank, 1798

prints by isaac cruikshank in the british museum satirical prints in the british museum

Nightly Visitors, at St. Ann's Hill; In Glided Edward's Pale-Eye'd Ghost, and Stood at Carlo's Feet, James Gillray, 1798

aquatint prints in the yale center for british art james gillray

In Our Journey through Life may we Live Well on the Road, George Murgatroyd Woodward, circa 1798

aquatint prints in the yale center for british art george moutard woodward

Portret van medicus Giovanni Rasori, RP-P-1909-4774, Michele Bisi, between 1798 and 1874

italian etchings in the rijksmuseum amsterdam michele bisi

Drie mannen rond een vrouw op haar ziekbed, RP-P-OB-64.820, Reinier Vinkeles, between 1798 and 1811

prints by reinier vinkeles in the rijksmuseum amsterdam reinier vinkeles

Man knielt bij een buiten bewustzijn verkerende vrouw in het bos, RP-P-OB-64.817, Reinier Vinkeles, between 1798 and 1811

prints by reinier vinkeles in the rijksmuseum amsterdam reinier vinkeles

Bomenrooien no.100, objectnr A 10100, Jean-Jacques de Boissieu, 1798

collections of the amsterdam museum jean-jacques de boissieu

Boslandschap met vijver, RP-P-BI-457, Ernst Willem Jan Bagelaar, between 1798 and 1837

prints by ernst willem jan bagelaar in the rijksmuseum amsterdam etchings of landscapes

Biddende non bezocht door kloosterlingen, RP-P-OB-65.772, Reinier Vinkeles, 1798

prints by reinier vinkeles in the rijksmuseum amsterdam françois bohn

Twee slapende jachthonden Dieren (serietitel) Die erste Thierfolge (serietitel), RP-P-1982-155, Johann Christian Reinhart, 1798

etchings in the rijksmuseum amsterdam etchings by johann christian reinhart

Landschap met drie koeien in een plas, rechts leunt een herder tegen een boom, RP-P-BI-411, Ernst Willem Jan Bagelaar, between 1798 and 1837

prints by ernst willem jan bagelaar in the rijksmuseum amsterdam etchings of shepherds

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